Through the many twists and turns, through all the sometimes melodramatic plot developments, we’ve felt a connection that somehow went deeper than any surface-level plot. The important distinction to make, however, is more of a feeling than some tangible thing. After all, what stereotypically “soap” narrative turn hasn’t this show at least flirted with? We’ve seen unwanted and secret pregnancies, death by birth, death by car crash, rape, murder, attempted suicide, disappearance in a foreign country, and scandal enough to rival any in the Shonda Rhimes universe. Simply describing these last six years may make this line of delineation difficult to pinpoint. Even Lord Grantham, who hates American slogans about letting go, can hardly admit that the timing doesn’t feel right.ĭownton Abbeyhas succeeded in something that many shows have tried, and often failed to do: walk the tight rope between what’s now known as “prestige drama” and what was once and always will be known as “soap opera”. Carson (Jim Carter), and the rest of the ever-so-loved inhabitants of the Downton Estate. Gone are the days we will spend with poor-old Edith (Laura Carmichael), the catty Dowager Countess (Maggie Smith), the jolly and oblivious Lord Grantham (Hugh Bonneville), the old-world curmudgeon Mr.
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